Brussels 1 - Archival Pigment Print
Brussels 1 | Archival Pigment Print | 32 x 24 cm on a 45 x 32 cm sheet of fine art paper
Or Mounted on Dibond with a matt laminate 56 x 42 cm
I stretch my own canvas using canvas or linen. Usually in multiples for a series of work.
I work with acrylics and oils. When using Acrylic paint I like to mix the pigment with a carrier solution to determine the intensity of the colour. When working with oils I usually work slowly with multiple layers, adding and subtracting elements to the work. A series of work develops around a central theme, working from my sketches and my photograph research.
Brussels 1 | Archival Pigment Print | 32 x 24 cm on a 45 x 32 cm sheet of fine art paper
Or Mounted on Dibond with a matt laminate 56 x 42 cm
I stretch my own canvas using canvas or linen. Usually in multiples for a series of work.
I work with acrylics and oils. When using Acrylic paint I like to mix the pigment with a carrier solution to determine the intensity of the colour. When working with oils I usually work slowly with multiple layers, adding and subtracting elements to the work. A series of work develops around a central theme, working from my sketches and my photograph research.
Brussels 1 | Archival Pigment Print | 32 x 24 cm on a 45 x 32 cm sheet of fine art paper
Or Mounted on Dibond with a matt laminate 56 x 42 cm
I stretch my own canvas using canvas or linen. Usually in multiples for a series of work.
I work with acrylics and oils. When using Acrylic paint I like to mix the pigment with a carrier solution to determine the intensity of the colour. When working with oils I usually work slowly with multiple layers, adding and subtracting elements to the work. A series of work develops around a central theme, working from my sketches and my photograph research.